Le Cygne - Müzik
Le Cygne by Camille Saint Saëns
Camille Saint Saëns
Sanatçı biyografisi Camille Saint Saëns
Frogtoon Müzik - Şarkı Bilgisi: Le Cygne
Camille-Saint-Saëns - Le Carnaval Des Animaux
The Swan Original Le Cygne Is The 13th And Penultimate Movement Of The Carnival Of The Animals By Camille Saint-Saëns. Originally Scored For Solo Cello Accompanied By Two Pianos It Has Been Arranged And Transcribed For Many Instruments But Remains Best Known As A Cello Solo. The Piece Is In 6/4 Time With A Key Signature Of G Major And A Tempo Marking Andantino Grazioso. The Slow Cello Melody Is Accompanied By Almost Constant Broken Chord Figurations On The Pianos. When Performed As A Separate Movement Not In The Context Of The Carnival The Swan Is Frequently Played With Accompaniment On Only One Piano. Because Of Its Slow Tempo And Mostly Legato Performance Indications The Movement Is Suitable For Performance On The Theremin. In Dance The Swan Is Often Known As The Dying Swan After A Poem By Tennyson. Inspired By Swans That She Had Seen In Public Parks Anna Pavlova Worked With Choreographer Michel Fokine Who Had Read The Poem To Create The Famous 1905 Solo Ballet Dance Which Is Now Closely Associated With This Music. According To Tradition The Swan In Pavlova's Dance Is Badly Injured And Dying. However Maya Plisetskaya Re-Interpreted The Swan Simply As Elderly And Stubbornly Resisting The Effects Of Aging Much Like Herself She Performed The Swan At A Gala On Her 70th Birthday . Eventually The Piece Came To Be Considered One Of Pavlova's Trademarks
50 Benzer Parçalar:
Camille Saint-Saëns - The Swan Franz Schubert - Ständchen, S. 560 Trans. From Schwanengesang No. 4, D. 957 Johannes Brahms - 16 Waltzes, Op. 39 1867 Version : No. 3 In G-Sharp Minor Franz Schubert - Schwanengesang, D.957: No. 4 Serenade Gabriel Fauré - Fauré: Pavane, Op. 50 Camille Saint-Saëns - Le Carnaval Des Animaux: Saint-Saens - Carnival Of The Animals: XIII. Le Cygne The Swan Johannes Brahms - 16 Waltzes, Op. 39 1867 Version : No. 15 In A-Flat Major Felix Mendelssohn - Lieder Ohne Worte Songs Without Words , Book 1, Op. 19b: Lied Ohne Worte Song Without Words No. 6 In G Minor, Op. 19, No. 6, "Venezianisches Gondellied" Venetian Gondola Song Felix Mendelssohn - Songs Without Words, Book VI Opus 67: No. 2 In F-Sharp Minor Gabriel Fauré - Après Un Rêve, Op. 7, No. 1 Sir Edward Elgar - Elgar: Cello Concerto In E Minor, Op. 85: I. Adagio - Moderato Jules Massenet - Méditation From Thaïs César Franck - Prélude, Fugue Et Variation, Op. 18: Prélude Arr. Bauer César Franck - Prélude, Fugue Et Variation In B Minor, Op. 18, FWV 30 Arr. H. Bauer For Piano : II. Lento Jules Massenet - Méditation From Thaïs arr. For Violin & Harp Sir Edward Elgar - Variations On An Original Theme, Op. 36, "Enigma": Enigma Robert Schumann - Symphony No. 2 In C Major, Op. 61: III. Langsam Robert Schumann - Carnaval, Op. 9: No. 5. Eusebius Adagio - Più Lento Molto Teneramente Hector Berlioz - Symphonie Fantastique, Op. 14: Marche Au Supplice Allegro Non Troppo Hector Berlioz - Symphonie Fantastique, H. 48: Vb. Songe D'une Nuit Du Sabbat. Dies Irae Max Bruch - Violin Concerto No. 1 In G Minor, Op. 26: 1. Vorspiel Allegro Moderato Max Bruch - 8 Pieces, Op. 83 Arr. For Violin, Viola & Piano : No. 2, Allegro Con Moto Claude Debussy - Rêverie, L. 68 Maurice Ravel - Ravel: Miroirs, M. 43: III. Une Barque Sur L'océan Erik Satie - Gymnopédie No. 3 Erik Satie - Je Te Veux Frédéric Chopin - Prélude In E Minor, Op. 28, No. 4 久石譲 - Nostalgia Claude Debussy - 2 Arabesques, L. 66: I. Andantino Con Moto Frédéric Chopin - Nocturne No. 2 In E-Flat Major, Op. 9 No. 2 Ludwig Van Beethoven - Sonata No. 14 "Moonlight" In C-Sharp Minor", Op. 27 No. 2: I. Adagio Sostenuto Jean Sibelius - 13 Pieces, Op. 76: No. 3 Carillon Maurice Ravel - Miroirs: III. Une Barque Sur L'océan Franz Liszt - Liebestraum Antonio Vivaldi - Vivaldi Variation Arr. For Piano From Concerto For Strings In G Minor, RV 156 Franz Liszt - Liebestraum Love Dream Pyotr Ilyich Tchaikovsky - Six Pieces, Op. 51, TH 143: VI. Valse Sentimentale. Tempo Di Valse Dmitri Shostakovich - Piano Concerto No. 2 Op. 102 In F Major: II. Andante Emile Pandolfi - So This Is Love Dario Marianelli - Mrs Darcy - From "Pride & Prejudice" Soundtrack Pyotr Ilyich Tchaikovsky - Tchaikovsky: Valse Sentimentale, Op. 51, No. 6 Alena Cherny - Gnossienne No. 1 Dario Marianelli - Dawn - From "Pride & Prejudice" Soundtrack Antonín Dvořák - Serenade For Strings In E Major, Op. 22, B. 52: II. Tempo Di Valse Edvard Grieg - Lyric Pieces, Book 1, Op. 12: Arietta Jean Sibelius - 5 Pieces, Op. 75, "The Trees": No. 3 Aspen Sergei Rachmaninoff - Piano Concerto No. 2 In C Minor, Op. 18: 2. Adagio Sostenuto Ottorino Respighi - 6 Pezzi, P. 44: No. 6. Internmezzo-Serenata Ludwig Van Beethoven - Moonlight Sonata First Movement From Piano Sonata No. 14, Op. 27 No. 2 Alexander Scriabin - 24 Preludes, Op. 11: No. 1 In C Major
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Camille Saint Saëns için Müzik Etiketleri:
16 Camille Saint Saëns ile benzer 10 sanatçı - Frogtoon Müzik
Jean Sibelius Gabriel Fauré Johannes Brahms Pyotr Ilyich Tchaikovsky Edvard Grieg Robert Schumann Franz Liszt Antonín Dvořák Felix Mendelssohn Léo Delibes Maurice Ravel Georges Bizet Ottorino Respighi Claude Debussy Franz Schubert Dmitri Shostakovich.
The Swan (original: Le Cygne) is the 13th and penultimate movement of The Carnival of the Animals by Camille Saint-Saëns. Originally scored for solo cello accompanied by two pianos, it has been arranged and transcribed for many instruments but remains best known as a cello solo.
The piece is in 6/4 time, with a key signature of G major and a tempo marking andantino grazioso. The slow cello melody is accompanied by almost constant broken chord figurations on the pianos. When performed as a separate movement, not in the context of The Carnival, The Swan is frequently played with accompaniment on only one piano. Because of its slow tempo and mostly legato performance indications, the movement is suitable for performance on the theremin.
In dance, The Swan is often known as The Dying Swan, after a poem by Tennyson. Inspired by swans that she had seen in public parks, Anna Pavlova worked with choreographer Michel Fokine, who had read the poem, to create the famous 1905 solo ballet dance which is now closely associated with this music. According to tradition, the swan in Pavlova's dance is badly injured and dying. However, Maya Plisetskaya re-interpreted the swan simply as elderly and stubbornly resisting the effects of aging; much like herself (she performed The Swan at a gala on her 70th birthday). Eventually the piece came to be considered one of Pavlova's trademarks Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.